$12 COVER

7-10PM

OUTDOORS, SEATING IS SOCIALLY DISTANCED! WEAR YOUR MASKS!

We appreciate you purchasing a ticket and wanting to come and support live music. Moreover, we appreciate your patience as we navigate these weird times. Due to the very limited capacity, we are suggesting a food and beverage minimum of (2) drinks or a plate of food purchased by each guest. This is not required; however, this what allows icehouse to stay afloat and continue to host shows. While we appreciate the purchase of the base cover charge, that money simply covers the cost to put the show on and pay the artists. We still need to cover the cost of our great staff and keep our lights on. We hope the community will continue to value what Icehouse uniquely provides, and show us some love so we can make it to the other side of this together!c Please click the link below to pre-purchase a food and beverage credit to be used the night of show and during any subsequent visit. If you are not able to purchase this in advance, we still look forward to seeing you at the show and hope you consider this when attending show. Thank you for your consideration.

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PURCHASE TICKETS IN ADVANCE HERE:


Michelle Kinney: August Wednesdays residency

Here we are. Still playing. Still dancing. After the lynching of George Floyd right before our eyes in our own backyard, everything powers forward from that. 

Lineup:
*Queen Drea (voice, loops and effects), Ananya Chatterjea (dance)

*Diane Miller (voice, guitar) with JG Everest (guitar), Renee Copeland (flute/tamburelli/mover), Davu Seru (drums), DeVon Gray (electronics)

Enter via the patio

Wear your MASKS!


Diane Miller:

Diane Miller is a multidisciplinary musician based in Minneapolis. As a singer, rapper, songwriter, guitarist, beatboxer, looper influenced by no single genre of music, Diane's art is powered by raw emotional honesty and natural musical intuition. This year, she was awarded the McKnight Fellowship for Musicians. Visit Instagram @dmills.raps or www.dianemiller.website to learn more


Renée Copeland:

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Renée Copeland is co-founder of the dance/performance art duo, Hiponymous, a movement collaborator and sound composer for BRKFST Dance Company, and a dance performer with Ananya Dance Theatre since 2010 and composer of original score for their 2019 production Sutrajal. Copeland is the recipient of the 2020 Artist Initiative Grant for Music and 2018 McKnight Fellowship for Dance. Her future endeavors include more short, experimental, and documentary film scoring as well as the recovery of ancestral rhythm techniques practiced on the Sicilian frame drum, the tamburello.  

Queen Drea:

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Queen Drea has created work about depression in the Black community for Intermedia Arts, and about the loss of Black men’s lives in America at Red Eye Theater. She has been commissioned to compose soundscapes for Ananya Dance Theatre and Black Label Movement, sound design for Penumbra Theatre’s production of For Colored Girls, and is a 2020 Naked Stages Fellow with Pillsbury House Theatre.  https://www.queendrea.com “I have been investigating some thoughts on Black Love and how it is strong enough to withstand being denied. Acknowledging that the way we came to this country and the way our families were separated is the reason why we are separated now.  Acknowledging the pain of this reality. Acknowledging the beauty of this reality. Acknowledging Black Love in its many forms and expressing this love thru my art.” –Queen Drea 


Ananya Chatterjea:

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Ananya Chatterjea’s work as choreographer, dancer, and thinker brings together Contemporary Dance, social justice choreography, and a philosophy of #occupydance. She is artistic director of Ananya Dance Theatre, a Twin Cities-based professional dance company of women & femme artists of color, and co-founder of the Shawngrām Institute for Performance and Social Justice. Her “people powered dances of transformation” proceed through concert performances and participatory performances in non-traditional spaces where audiences become co-creators of movement explorations. Ananya received a 2011 Guggenheim Choreography Fellowship, 2012 McKnight Choreography Fellowship, 2015 Sage Outstanding Dance Educator Award, 2016 Joyce Foundation Award, 2018 Urban Bush Women Choreographic Fellowship, and a 2019 Dance/USA Artist Fellowship. Her work has been recognized as “political theater” with seldom-matched “level of commitment and charisma” (City Pages, 9/18/19). Chatterjea is currently creating Dastak, a dance theater work exploring borders, boundaries, home and belonging, with the support of an NPN Creation Fund, NDP Production Award, and a 2-part MANCC Residency