5PM DOORS // 7PM SHOW (FULL FOOD/BEVERAGE MENU AVAILABLE)
$15 ADVANCE // $20 DAY OF SHOW // $25 PREMIER BALCONY SEATING
After grabbing an acoustic guitar at 12-years-old, Bre Kennedy found herself performing throughout Los Angeles and then relocating to Nashville, where she built a buzz with show stopping live performances around town. She began independently sharing her music, including her Jealous of Birds EP [2019], Twenty Something EP [2020], and Note to Self [2021], before signing to Nettwerk in 2022 and releasing her Clarity EP. Consequence of Sound hailed Kennedy's work as “contemplative and vulnerable,” and Guitar Magazine exclaimed, “Bre Kennedy is bound to be a household name for all the right reasons.” Beyond headlining sold out shows, Bre has performed alongside Sheryl Crow and Gary Clark, JR., joined Joy Oladokun and Paper Kites on their 2022 headline tours, and made her Bonnaroo debut.
As she drove over 10,000 miles over the course of 2022, Bre reached a personal inflection point on the road and began writing new music. Collating her experiences in the studio, she collaborated with producer Davis Naish and cowriters Morgan Nagler, Mikey Reese, and Emily Hackett. Bre introduces the upcoming set of songs with Scream Over Everything (Side A), the first half of a larger body of music coming later this year. On it, she discloses her innermost thoughts, fears and dreams with a novelist’s attention-to-detail.
Sarah Walk grew up amongst the Minneapolis cold, channeling observations of the world around her into song in an attempt to better understand it; an instinctive outlet through the lens of a wide eyed pre-teen. It wasn’t until she was caught with her then-secretive girlfriend at the age of fourteen that Walk’s songwriting began to turn inward, evolving into a necessary muse for her own self discovery, shame, heartbreak, and reclamation.
Her distinct, androgynous voice marries depth and delicacy, complemented by her strong use of rhythm and rich mid range piano playing. Walk’s songs are masterfully tinged with anger, regret, and the obsession of desire. With her recent self-investigative material, Walk explores themes of vulnerability, gender, toxic relationships, and entitlement within structural patriarchy. Sarah deals in songs that are as confessional as they are gut wrenching and swathed in emotion, at once aching and artful, speaking to every magnitude of love and loss.
Metro calls her work “haunting and elusive,” while Red Bull Music says “the Minneapolis singer’s songs are big, soaring things that deal in similar hefty issues but it’s Walk’s fierce yet soulful delivery that lands the decisive blow.” Clash Magazine calls her lyrics “visceral, poignant work,” while BBC6 Music's Lauren Laverne comments that Sarah’s work “blew my mind when I heard it... beautiful and compelling,” calling her “one to watch.”